Sometimes paragraphs in Final Draft are inadvertently misformatted – Action paragraphs mistakenly render as character names, Scene Headings look like Transitions, lines of dialogue look like Parentheticals.

Literary manager Matt Dy discusses his tenure at Austin Film Festival as their contest director, why he made the move to Los Angeles to join the team at Lit Entertainment Group and more.

Please note: this article refers to Final Draft 11. Final Draft 12 has many more advanced story-building tools. Check out all the great new features of Final Draft 12 here. Ah, the corkboard. The writer’s roadmap; a finite space for infinite ideas th...

Writer-director Jennifer Kent discusses why she wanted to tell this story, subverting audience expectations, her research process and more.

Graphic novelist and founder of Kymera Press Debbie Lynn Smith discusses her transition from novelist to television writer to graphic novelist, how she manages the global team at Kymera, her recent deal with The Smithsonian and more.

Final Draft gives you several ways to move around in your script quickly – the Navigator panels, the Scene View, and the Index Cards.

Writer-Producer-Actress Teresa Huang discusses her early start in activism, the role she sees People of Color playing in the current WGA negotiations, The Breakthrough Reading Series she co-founded and much more.

Chambers creator Leah Rachel discusses the inspirations for the show, working with Netflix, the show's inclusive approach to its characters and more.

The Title Page is the first thing agents, managers and producers will see before reading your script. Think of your title page as the initial handshake between your script and whomever will be reading the material. The title page won’t make or break ...