Tina Fey once said, “You have to let people see what you wrote.” In its most traditional sense, screenwriting is the art of writing visually so that the work can be translated to the big screen. It’s often said that a good script can be seen before i...

Bodyguard creator and showrunner Jed Mercurio discusses his transition from medical doctor to television writer, his blending of the factual and imaginative details in the show, and following the instincts of your inner-writer.

Ozark showrunner Chris Mundy discusses his transition from Rolling Stone contributor to television writer, how Ozark came to be, and the dynamics of the show's writers room. Ozark seasons one and two are available for streaming now on Netflix.

*Listener discretion is strongly advised: This episode contains sensitive content*

Screenwriting team Kelly Souders and Brian Peterson discuss how their 20-year career together began, their first foray in the writers room of Smallville, their strategy for crafting pitches, and their latest adaptation of The Hot Zone as a series for...

Screenwriter Luke Davies discusses his earlier work on his novel Candy, the award-winning film Lion, and his adaptation of Joseph Heller's Catch-22 for Hulu, directed by and starring George Clooney.

Final Draft may be the industry standard screenwriting application, but it's not just writers who use it. Producers, animators, and more can use Final Draft’s newest features to have greater control on a story from script to screen.

2018 Big Break feature category winner Jeff Cassidy discusses getting his start as a focus puller in order to learn more about directing, how he eventually transitioned to writing and directing, and why he chose to enter his category-winning script D...