Final Draft Blog
All the tips, tricks and information you need to inspire your writing!
Read interviews with the pros, catch up with industry news, and listen to Write On: A Screenwriting Podcast by Final Draft.
Write On: Peter Katz - Manager & Producer, Story Driven
“Sameness is terrible. Your goal is to cut through it. If you have a unique perspective, you’re going to take vampires or anything that everybody thinks they know and do it in a way that’s really exciting and gets people really pumped up about it. Th...
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Write On: Long Bright River Showrunner Nikki Toscano
“With an adaptation, you can never give back your first read. So, what are you taking away? What fills your soul? Why do you want to tell this story? And then that becomes sort of the North Star. And I’m tethered more by that North Star than by the a...
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Write On: Comedy Writing with Brent Forrester
“My recommendation to anybody who is writing animation is to take advantage of the things you can do in animation that you can’t do in live action, which is to spend an infinite amount of money, right? If you and I are going to write a scene and you ...
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Write On: 'The Performance' Co-Writer Josh Salzberg
“Fugler [Robert Carlyle] was a character that I really connected with from the beginning. I know it sounds a little strange that the Nazi was my way into this, but it really was that idea of, ‘How can we get inside his head and make sure that he’s a ...
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Write On: 'Inside Out 2' Co-Writers Meg LeFauve and Dave Holstein
“People think sequels are easier, and I’m like, ‘No, no, it’s much harder. It is much harder to write.’ They have never written sequels, those people, because you need to do everything as well as the first and yet better, and go to new places, follow...
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Write On: 'The Boys' Creator and Showrunner Eric Kripke
“The most subversive thing this show could do is make you cry… If you really boil down television, really cook it in the pan, it’s the character business. I’m in the character business. Movies are in the plot and spectacle business, for television, t...
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Write On: 'Conclave' Screenwriter Peter Straughan
“If everything’s being played on the surface, it’s very hard to make that character come to life. You want hinterland, you want subtext. You want the things that are buried, the things that we don’t know about them, the things that maybe they don’t k...
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Write On: 'Only Murders in the Building' Co-Creator & Showrunner John Hoffman
“There’s no greater laugh than when you’re at your most vulnerable. You’re at a funeral, or you’re in church and something’s happening and there’s great reprieve from the most human moments through humor. And even in those moments, something is funny...
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Write On: 'Dune: Part One & Part Two' Screenwriter Jon Spaihts
“In most genre fiction where heroes and villains clash, the hero is intrinsically reactive. The villain starts making trouble and that’s the beginning of the story. If the villain had never showed up, the hero would have lived a pleasant and unremark...
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What’s new in Final Draft 13?
WRITING GOALS &
PRODUCTIVITY STATS
Set goals and get valuable insights to take your work to the next level
TYPEWRITER
A new typewriter-like view option improves your focus
EMOJI
Craft more realistic onscreen text exchanges and make your notes more emotive
And so much more, thoughtfully designed to help unleash your creativity.
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