“I think that approaching the grand things through the smallest entryways possible is the best way to go about taking on these massive issues… So yes, this movie is about race and racism and art and who's allowed to make certain kinds of art - these ...

“When we were starting [to write screenplays], we were told, ‘Write your story, write your story, write your story.’ But our story is not that interesting. So, I would say, don't write your story necessarily, write the story that you fall in love wit...

The film Air was released in theaters back in April – right before the WGA Writer's Strike. It tells the story of how the iconic partnership between Nike shoes and basketball player Michael Jordan came to be way back in 1984. It’s one of those partne...

“I like having sympathy for the devil. And all of them are devilish!” says Emerald Fennell about her characters in the new film Saltburn.

“It really comes down to scene work. Do these characters pop? Is this fun to read? Is it fun to imagine what’s going to happen next? When you get to the end of that pilot do you want to find out what’s going to happen in the next episode? It’s all of...

“The lesson we keep learning is that the thing that breaks you [into Hollywood] is your weirdest idea. The thing that only you can write… All of our friends who have done that – it's been a fulcrum in their career,” says Phil Lord, co-writer of Spide...

“We can’t make Lawrence of Arabia anymore – not that that’s not a good movie, but it’s kind of a thing of the past,” says screenwriter David Scarpa about writing the script for Napoleon.

“My cardinal rule – the rule that you cannot break is: don't be boring. Because you can have the perfect script that follows every screenplay formatting rule, but if you're boring, it doesn't matter. First and foremost, you’ve got to hook the reader,...