Gary Goldstein is known for producing such hits as Pretty Woman, Under Siege and The Mothman Prophecies. He is also known as the author of the book Conquering Hollywood: The Screenwriter's Blueprint for Career Success. Gary talks to Write On about co...

Carole talks to Write On about how to prepare for submission to a fellowship or mentorship, and how to use what she calls the “Four Pillars of Success” to your advantage.

Joshua talks to Write On about being a writer on the original iconic series and how it has been updated to reflect current times. "We are looking at how social media has changed the landscape of who we say we are and how we put ourselves out in the w...

Eric talks delving into the history of the elusive Black Widow: "We approached it with the lens of 'This is a Natasha Romanoff story.' I wanted to see what it's really like inside the most mysterious Avenger - the Avenger that intentionally closes he...

Every now and then you’ll need to pull a selection of pages out of your full script. Maybe you want a critique solely on Act Two, or a competition is asking for the first 15 pages, or you want to see how the script reads if you start it on page 60. L...

Thomas is Director of Development for Los Angeles-based production company Branded Pictures Entertainment and talks to Write On’s Phil Galasso about what the company looks for in a screenplay. "I think the [scripts] that really stand out are when som...

Showrunner, writer, and mentor Jeffrey Lieber and our host Phil Galasso discuss what Jeffrey looks for when putting together a writer's room, his transition from acting on the stage to writing for the screen, his work helping new writers gain meaning...

Sometimes you know your screenplay is a screenplay, and sometimes the screenplay tells you it is a stage play or a TV pilot or podcast. The beauty of working in Final Draft is that you can change the formatting rules of your original file rather than...

Navot talks writing the explosive female-driven action-thriller starring Karen Gillan and Carla Gugino: "When you strip down this [assassin] genre… it's got this rich history of this hitman following this code and laws of the underworld… but, like in...