Rising comedic talent Jillian Bell first garnered attention for repeatedly stealing scenes in the bro-tastic sitcom Workaholics (2011-2017), which led to starring roles in major comedies like 22 Jump Street (2014), Office Christmas Party (2016) and R...

In a year where the prevailing box office takeaways have indicated a worrying degree of consolidation in which stories are being told—and who gets to tell them—the past weekend’s box office offered some glimmers of hope. Or at the very least, nostalg...

It doesn't seem natural to view a medium-budget studio comedy as an underdog, but that's exactly the category Good Boys was in as it headed into the weekend. In fact, many thought it might get out-grossed by the action flick Fast & Furious Presen...

This weekend’s box office results offered up a variety of takeaways, some good for the health of big screen storytelling, some not so much.

Fast & Furious Presents: Hobbs & Shaw opened to a hefty box office take that accurately reflected the bulking biceps of its two leading men—arguably the last two great action stars of a waning era where brawn alone was big screen worthy: Dway...

A provocative character drama centered around pertinent notions of race in modern America, Julius Onah's new film Luce generates a lot of questions, but stops well short of ever telling the audience what to think.

Endings are difficult at the best of times, but even more so when you’re culminating an epic saga.

To the surprise of precisely no one, Disney dominated the box office again over the weekend with its "live-action" remake of The Lion King, which took in a gargantuan $192 million. It's a new July record by a country mile, and represents the best-eve...