The playwright turned screenwriter talks about what it’s like to write material based on real people for the FX TV series. "My job was to adopt 20-something Monica [Lewinsky]'s point of view… and so I wrote based on Monica's story, and then I had the incredible asset of Monica Lewinsky herself reading my scripts and giving me feedback, so I basically trusted that in the writing of it, the scripts would reflect on how Monica experienced it."

 

Sarah talks about her beginnings as a writer and how it doesn’t matter where you’re from. "You need something that's good on the page; that's all you need. You can live in Idaho, you can live in Ottawa, you don't have to live in The East Village or Santa Monica… if you are in any position to be able to write, I do think that having faith in what you put on the page is really what matters."