Final Draft Blog

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The Weekend Movie Takeaway: January 22, 2019

Although early tracking suggested it would earn close to $60 million, M. Night Shyamalan’s Glass took in around $47 million over the long weekend; an impressive haul for a film that cost less than half of that to make, but not quite a triumphant retu...

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All the Write Moves: If Beale Street Could Talk

Like his previous film, the Oscar-winning drama Moonlight (2016), Barry Jenkins’ new picture, If Beale Street Could Talk, might seem like a difficult artifact from which to extract screenwriting lessons. While both films have received considerable ac...

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Write On with Cleve Landsberg

Cleve Landsberg has led a long career, working on films such as 'Weekend at Bernie's', 'BASEketball' and 'Bruce Almighty'. Cleve has also previously been honored with the DGA's Frank Capra Achievement Award, given to an Assistant Director or Unit Pro...

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Write On with Mimi Leder

In this episode of Write On, director Mimi Leder discusses her latest film 'On the Basis of Sex' and her connection to Ruth Bader Ginsburg’s story.

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Playwriting for the Screenwriter II: Submissions & Successes

Photo courtesy of Julieta Cervantes / www.broadway.com So you’ve written a play! You’ve honed your characterization and dialogue, you’ve kept in mind theatre’s technical challenges, and you’ve generated ideas to creatively inspire an audience. Congra...

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Peter Hedges on Ben Is Back

When novelist, playwright and Oscar®-nominated filmmaker Peter Hedges sat down to write the screenplay for the new addiction drama Ben Is Back, he drew from a personal place. “I grew up in a family ravaged by alcoholism,” Hedges said.

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All the World’s a Stage: Playwriting for the Screenwriter

When it comes to dramatic writing, the allure of the stage is clear. Picture this: every year, approximately 50 thousand scripts are registered with the WGA, and that’s not even taking into the account the number of screenwriters who never register t...

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‘Destroyer’ Director Karyn Kusama On Why Working Closely With Screenwriters Is Essential To Her Process

Traditionally, a director won’t see a script until it’s been written, rewritten, polished, and perfected to the nth degree. Then, when the script is in a near-perfect state, the screenwriter relinquishes control and sits idly by as the director takes...

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Foreign Film Spotlight: The Cakemaker’s Ofir Raul

Eight years after beginning work on his first feature film, multi-award-winning writer-director Ofir Raul Graizer’s film The Cakemaker is Israel’s submission for the foreign film category of this year’s Academy Awards®.

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