
Shanee Edwards
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Write On: Paul William Davies - Creator and Showrunner of 'The Residence'
“I didn’t really set out to make Cordelia (Uzo Aduba) quirky. I just wanted to make her distinctive. I just really thought about who I wanted her to be and how I thought [birdwatching] would be an interesting way for her to approach her job. And the ...

Benjamin Kramer: How Big Break Fueled His Success
The goal of Final Draft’s Big Break Screenwriting Contest has always been to boost the screenwriting career of winners and finalists. For writer Benjamin Kramer, winning the 2021 Big Break Action/Adventure category was just the push he needed to not ...

Write On: Peter Katz - Manager & Producer, Story Driven
“Sameness is terrible. Your goal is to cut through it. If you have a unique perspective, you’re going to take vampires or anything that everybody thinks they know and do it in a way that’s really exciting and gets people really pumped up about it. Th...

Think Big, Write Small: How to Write a Short Screenplay
To make it in Hollywood, you need to dream big.

Write On: Long Bright River Showrunner Nikki Toscano
“With an adaptation, you can never give back your first read. So, what are you taking away? What fills your soul? Why do you want to tell this story? And then that becomes sort of the North Star. And I’m tethered more by that North Star than by the a...

‘House of David’: Bringing an Ancient Story to Today’s Audience
Filmed on location in Greece over five months, Prime Video’s new TV show, House of David, takes us back 3,000 years to tell the story of the biblical figure David (Michael Iskander), who not only defeats a giant named Goliath (Martyn Ford), but rises...

Write On: Comedy Writing with Brent Forrester
“My recommendation to anybody who is writing animation is to take advantage of the things you can do in animation that you can’t do in live action, which is to spend an infinite amount of money, right? If you and I are going to write a scene and you ...

What Editing Can You Teach You About Screenwriting
There’s a cliché in Hollywood that a film is made three times: once on the page in the form of a screenplay, the second time is on set when it’s shot with the director and actors, and the third time is in the editing bay. While any filmmaker can argu...

Write On: 'The Performance' Co-Writer Josh Salzberg
“Fugler [Robert Carlyle] was a character that I really connected with from the beginning. I know it sounds a little strange that the Nazi was my way into this, but it really was that idea of, ‘How can we get inside his head and make sure that he’s a ...
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