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Lindsay Stidham
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How breaking the fourth wall in ‘The Good House’ brings out character
There’s nothing traditional about The Good House. It’s a story with a protagonist who has her AARP card. It’s a story about a drunk who often has her act together. It’s also a story in which protagonist Hildy Good (Sigourney Weaver) breaks the fourth...
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Spin Me Round' writer-director subverts expectations while embracing fan favorite tropes
Spin Me Round sets up a rom-com world: its poster looks like the cover of a romance novel, and the premise has that rom-com-y wish fulfillment element. Alison Brie’s Amber is being dipped dramatically by Nick Martucci (Alessandro Nivola), who found s...
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5 Screenwriting Takeaways: 'The Black Phone' dials up tension by drip-feeding clues
On the surface, The Black Phone is a story about a 13-year-old boy named Finney who is kidnapped by a serial killer known as the Grabber, but something more mysterious haunts him throughout this story. In the soundproof room where he and many others ...
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5 Screenwriting Takeaways: How ‘The Bear’ masters the specificity of kitchen life
Working in a restaurant is often a rite of passage for a creative. If you’ve never done booze or meat inventory in a commercial freezer are you even a screenwriter? That’s likely why so many have connected to The Bear. The specificity of the food ser...
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Clara Sola' writer takes character-building to a new level
Clara Sola is unlike most films you’ve seen about coming into one’s own. The titular character, Clara, played by dancer and first-time actress Wendy Chinchilla Araya has been dubbed a healing mystic, a child of Mary the Virgin herself by her tiny rel...
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Mrs. Harris Goes to Paris' screenwriter reveals his adaptation process
Mrs. Harris Goes to Paris is the kind of escapist fare that is perfect for a summer that feels like a revolving door of bad news. It’s a lovely picture that tells the story of how Mrs. Harris (Lesley Manville) gets obsessed with the idea of purchasin...
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Don't Make Me Go' Script Writer on Storytelling
Don’t Make Me Go is a road trip full of life lessons and of course, a few screenwriting lessons for you. It’s a father/ daughter buddy comedy. It’s a coming-of-age flick. It’s also a whole lot of fun with a side of, you just might cry.
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‘Apples’ director Christos Nikou speaks on creating art from a place of pain
Apples is a joyous study in getting to make exactly the movie you want. Its specificity of tone and taking the time to bask in its strangeness owe many thanks to the self-assured hand of filmmaker Christos Nikou. Nikou has invented a strange and wond...
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Minx' showrunner Ellen Rapoport gives us lessons in boldness
If you have yet to watch Minx, you are in for a treat. The two-hander featuring a pair of mismatched lovers of freedom who start a female-driven porn mag with a feminist message is definitely one of the most fun comedies of the year. The show tells t...
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