For French filmmaker Timothée Hochet, what people do not see — and the versions of hell we store in our heads — is more scary than anything we will ever watch on television.

Raamla Mohamed shares details about her early career as a USC film student, becoming a Disney/ABC TV Writing program fellow, and how that opened the doors for her at Shondaland. Raamla recently secured an overall deal with ABC and is working on a new...

Kirsten "Kiwi" Smith (‘Misfit City’ for BOOM! Studios), Shannon Watters (Senior Editor at BOOM! Studios and Co-writer of ‘Lumberjanes’) and Christina Weir (‘Bad Medicine’) discuss their respective writing careers, how they started writing graphic nov...

Unless you’ve been living under a rock these past few years, you’re probably aware that Better Call Saul is a spin-off series from the wildly successful AMC TV series Breaking Bad.

In his new biography-memoir hybrid, Room to Dream; filmmaker, artist and Final Draft user David Lynch talks about how, as a young man, he always wanted to live the “art life.”

Writer-director Andrew Bujalski discusses learning guerrilla filmmaking at Harvard, making his first film Funny, Ha Ha and the tricky tone of his latest film Support the Girls which takes place in a sexist sports bar.

Writer-director Crystal Moselle recently chatted with us about her new film Skate Kitchen, how she develops characters before story, and her advice for new writers.

Though Jeremiah Zagar’s adaptation of Justin Torres’ We the Animals made its debut only months ago at the 2018 Sundance Film Festival, critics are already praising it.

Emmett Jack Lundberg (writer/director) and Sheyam Ghieth (producer) share how they each got their start in the film industry, the benefits of employing Seed & Spark for fundraising and streaming their content, and their advice for getting your ow...