Turns out, a lot can change in a week.

Last week saw the business of big screen narrative start to get impacted by the coronavirus outbreak with the news that the new James Bond film No Time To Die’s release had been delayed from April until November to avoid poor box office prospects in ...

Original, urgent storytelling was the winner at the weekend box office, the results of which marked the emergence of a major new genre filmmaker: Leigh Whannell, the man behind the latest incarnation of The Invisible Man. The film surpassed all expec...

Two CGI animals tussled for the number one position on the box office charts over the weekend, with the blue one eventually coming out on top.

The Presidents Day long weekend proved especially fruitful for a certain speedy hedgehog, giving hope to video game intellectual property holders everywhere.

It was a big weekend in Hollywood as a historic night at the Oscars® threatened to blow the lid off “traditional” narrative and the box office results saw an expected superhero blockbuster fall somewhat flat.

On the weekend before the most well-regarded narratives of the previous year are awarded the top prizes by the industry at the Academy Awards®, Bad Boys for Life still reigns supreme at the box office.

The term "Writer's Writer" gets thrown around a lot, and it will here too, unabated, as there are few writers to whom the term more aptly applies than the great Buck Henry, who departed Earth this month, at the age of 89.

While emerging and established filmmakers offered up fresh stories in the snow at the Sundance Film Festival, the box office provided little to get excited about over the weekend.