Dennis Fallon
Related Posts
Why Horror Never Dies
Scary is in. Fear is fashionable. Horror is hot. That’s what we’re told. Judging strictly by box office returns and critical acclaim—not to mention the occasional Academy Award® for best screenplay—horror does seem to be having a moment in the zeitge...
5 Takeaways from Netflix's 'Unorthodox'
Is a limited series a TV show, or really just a big, fat movie? That’s the question at the heart of this week’s screenwriting takeaway.
5 Takeaways: Quibi
Your weekly break-down of a popular movie or television episode to see what a screenwriter—or any writer, for that matter—can take away from what’s on screen: what worked, what didn’t, and how you can use what’s popular to craft better stories.
Five Takeaways: The Hunt
Your weekly break-down of a popular movie or television episode to see what a screenwriter—or any writer, for that matter—can take away from what’s on screen: what worked, what didn’t, and how you can use what’s popular to craft better stories.
Five Takeaways From Episode One of Netflix's ‘Self-Made: Inspired by the Life of Madam C.J. Walker’
Your weekly break-down of a popular movie or television episode to see what a screenwriter—or any writer, for that matter—can take away from what’s on screen: what worked, what didn’t, and how you can use what’s popular to craft better stories.
Five Takeaways: 'Big Time Adolescence'
Your weekly break-down of a popular movie or television episode to see what a screenwriter—or any writer, for that matter—can take away from what’s on screen: what worked, what didn’t, and how you can use what’s popular to craft better stories.
Five Takeaways: ‘The Invisible Man’
Your weekly break-down of a popular movie or television episode to see what a screenwriter—or any writer, for that matter—can take away from what’s on screen: what worked, what didn’t, and how you can use what’s popular to craft better stories.
Five Takeaways Classic: ‘Casablanca’
Your weekly break-down of a popular movie or television episode to see what a screenwriter—or any writer—can take away from what’s on screen: what worked, what didn’t, and how you can use what’s popular to craft better stories.