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All the Write Moves: Velvet Buzzsaw
Cinematic satire has become something of a lost art. During the so-called “age of irony” in the 90s, the notion of presenting exaggeration as a means of revealing hypocrisy (or other social foibles) became somewhat redundant. Close to two decades lat...
Before You Know It Filmmakers On How To Get Your Passion Project Made
It’s a rare and difficult thing to write, direct, and star in your own film. But that is exactly what Hannah Pearl Utt and Jen Tullock did with their Sundance feature film debut, the comedy Before You Know It. The pair also knows what a tremendous fe...
Creed II Screenwriter Juel Taylor Talks His Big Break, Collaboration and the Importance of Having a ‘Fire Script’
Locking himself in a room for days is not necessarily Juel Taylor’s idea of fun, but for the 31-year-old co-writer of Creed II, it’s what got the job done.
Write On with Kevin O'Brien
Writer-director Kevin O'Brien discusses his transition from Creative Director to filmmaker, raising money through crowdfunding, and submitting his debut feature 'At the End of the Day' to film festivals. Information about the film can be found HERE.
How Sundance’s Hala Made Minhal Baig an Honest Storyteller
Minhal Baig is the writer and director of Hala, a movie which, up until its Sundance premiere, she kept secret from her mother.
All the Write Moves: Glass
M. Night Shyamalan, modern king of the twist ending, outdid himself with the final scene of Split (2016) — his surprise hit about a serial killer with multiple personalities — by connecting the picture to Unbreakable (2000), his cult-favorite thrille...
All the Write Moves: Green Book
In critical circles, certain words have toxic connotations. “Conventional.” “Old-fashioned.” “Sentimental.” There are good reasons why these words have gained dubious reputations; the history of cinema is full of condescending movies that subject aud...
The Hero's Journey: Aquaman
Within the first fifteen minutes, we realize Aquaman is a superhero genre script, an origin story, and a buddy movie all rolled into two hours and 30 minutes. That is a hefty haul for most writers, but David Leslie Johnson-McGoldrick and Will Beall h...
All the Write Moves: If Beale Street Could Talk
Like his previous film, the Oscar-winning drama Moonlight (2016), Barry Jenkins’ new picture, If Beale Street Could Talk, might seem like a difficult artifact from which to extract screenwriting lessons. While both films have received considerable ac...
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