Final Draft Blog
All the tips, tricks and information you need to inspire your writing!
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A Guide to Naming Your Characters
Choosing names for your characters is an important part of the writing process. The names you choose will not only indicate what type of character it is, but also make them easier to read on the page.
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Choosing and Introducing Your Focus Characters
Oftentimes the new screenwriter will populate their spec with numerous characters. But how many characters are too many?
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What Is Nonlinear Storytelling?
"A story should have a beginning, a middle and an end, but not necessarily in that order." - Jean-Luc Godard
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The Frame Story and the Flashback
Flashbacks can be utilized for several reasons in a script. If you want to reveal a plot point from the past or something about a character that needs illuminating, a flashback might be the best route to take. Sometimes this storytelling technique ca...
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How To Write a Winning Spec Script
Writing a television spec script is demanding, but winning a major writing competition with one is far more difficult. We sat down with Meghan Fitzmartin, winner of the Big Break Hour-Long category for her spec of Arrow to uncover the secrets behind ...
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How to Write a Coming-of-Age Superhero Tale
G.W. Freund and Daniel Bonjour set out to do two things with their winning spec script, Breedlove. The first was to tell a relatable, coming-of-age story. The second was to infuse the characters with raw, powerful emotions. The fact that the story re...
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Professional Script Reader Kelly Boruff discusses the do's and don't of Screenwriting
Professional script reader Kelly Boruff talks about the most important qualities your script should have, how to deal with the notes process, and what rules she likes to see broken on the page.
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Through-lines and "The Empire Strikes Back"
I never heard the term “through-line” before I became a professional screenwriter. After I sold my first script, however, and started working with producers and studio execs on various projects, I started to hear it all the time.
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Music Cues In Your Screenplay?
Conventional wisdom says don’t. But this same wisdom also tells you never to direct in your script, nor telegraph what a character is feeling, etc. I respectfully disagree with this.
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What’s new in Final Draft 13?
WRITING GOALS &
PRODUCTIVITY STATS
Set goals and get valuable insights to take your work to the next level
TYPEWRITER
A new typewriter-like view option improves your focus
EMOJI
Craft more realistic onscreen text exchanges and make your notes more emotive
And so much more, thoughtfully designed to help unleash your creativity.
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