This is the second part of our excerpt from Pen Densham's bestselling book Riding the Alligator (strategies for a career in screenwriting and not getting eaten), about how to manage stress as a creative artist. Read part one here.

What happens after you win a screenwriting contest? For far too many writers, not a whole lot. Winners and finalists of the Final Draft Big Break Screenwriting Contest have a very good track record for success, but the company wanted to do more to em...

The one note you always get from producers is that your lead character - your protagonist - needs to be likeable. I swear, it’s as if it’s on the checklist. You have your first meeting on the script and they insist you make the protagonist more likea...

Every year Hollywood’s emerging screenwriters wait with bated breath for the annual Black List, a collation of the town’s best unproduced screenplays as judged by industry insiders. This year delivered good news for writer Kristina Lauren Anderson, w...

This is a transcript of the Final Draft Insider View, a podcast that takes you inside the screenwriting industry to talk with screenwriters, television writers, executives, and industry influencers. To listen to the podcast click here. To listen to o...

When Jason Mark Hellerman wrote his screenplay Shovel Buddies, it was a labor of love. Jason had lost a friend to leukemia, and wanted to write the sort of movie that would have helped him deal with the loss. Shovel Buddies is the story of a group of...

This is a transcript of the Final Draft Insider View, a podcast that takes you inside the screenwriting industry to talk with screenwriters, television writers, executives, and industry influencers. To listen to this podcast click here. To listen to ...

Horror is hot property in Hollywood today, and every year the annual Blood List announces the hottest unproduced genre specs in town. In 2012, new scribe Seth M. Sherwood’s tale of the son of serial killer hot on the trail of a copycat killer, Inters...